Levi Asher Talks to Bill Ectric about Tamper

This interview first appeared on Literary Kicks, August 24th, 2009

Florida author and blogger Bill Ectric is one of my very favorites among the indie
writers I've met here on Literary Kicks. He and I first bonded many years ago
over our mutual regard for Henry David Thoreau, and he made a big showing in
our 2004 collection
Action Poetry: Literary Tribes for the Internet Age. His playful
intellect and sweetly philosophical frame of mind make him more interesting, in
my opinion, that most of the mainstream authors crowding our bookstores these
days, though his work does not fit neatly into any category (is it comedy?
speculative fiction? boys adventure? Nobody knows for sure).

Tamper is Bill Ectric's most cohesive novel so far. It opens in a small town in a
past golden age, as two boys take pictures in the pitch blackness of an old
abandoned church with a clunky ancient 35mm camera and ponder the
mysterious orbs that bloom in the resulting photographs. What do you see when
you take pictures in the dark? That's the kind of question that absorbs the mind
of a writer like Bill Ectric. Tamper evolves into a classic good-time
mystery/adventure that explores the legend of
Amazing Stories writer Richard
Shaver, altered consciousness, and the catacombs of Malta known as the
Hypogeum.

I decided to ask Bill five questions about his new novel, and the results are below.

Levi: I've been enjoying your work for a while now, but your new novel Tamper
appears to be your most ambitious and focused work to date. Can you talk about
your evolution as a writer, and why you wrote this particular book at this
particular time?

Bill: I’ve been writing Tamper off and on for almost three years. I started having
crystal-clear dreams and visions when I stopped drinking three years ago.
Looking back, it seems like I placed my writing life "on hold" upon joining the
Navy in the seventies, and only picked it up again years later when I discovered
Literary Kicks in the nineties. While writing
Tamper, I got in touch with feelings of
awe, wonder, fear, and enchantment that I hadn't felt since childhood.

More to the point is why I was able to finish writing this particular book at this
particular time. It’s because of the numerous books I’ve read and studied, which
equipped me with the tools I needed for the novel I wanted to write. Just to name
a few:
The Art of the Novel by Milan Kundera, who talks about the "dazzlement"
of discovering hidden truths in one’s own writing (thanks to Jamelah Earle for
bringing Kundera to my attention), and books by writers I identified with because
their childhood memories seemed as magical as mine, like
Swann’s Way by
Proust and
Dr. Sax by Kerouac.

Philip K. Dick's novel
VALIS used the concept of an "influencing machine" -- a
term coined by psychoanalyst Viktor Tausk to describe a common trait among
schizophrenics who think that some type of machine is trying to control them.
Which is what many people theorize was happening to Richard Shaver, the pulp
science fiction writer, who claimed that the stuff he wrote in
Amazing Stories
magazine was true! The question in
VALIS, of course, is whether or not the main
character is crazy, or is a satellite in outer space beaming signals to his brain, or
is God speaking to him, or is the satellite and God one in the same? And does it
make any difference?

Levi: Tamper seems to deal with the paranormal, and yet is highly grounded in
real life. Do you seriously believe in supernatural influences in our life, or are
you just screwing around with the theme and having fun?

Bill: I seriously believe that magic and science are both flowing wide-open at the
same time, like two parallel river currents that converge briefly at points. When
we really tune in to it, we see that it’s the same river, but if you look too close, it
diverges again.

Science fiction writer Arthur C. Clarke said "any sufficiently advanced technology
is indistinguishable from magic". Back in the 1600s, if you said “some day men
will fashion a small moon from the Earth’s metallic elements and hurl it into the
heavens, giving us power to direct thoughts from our brains to our fingertips and
out to people miles away” there would have been cries of, “Witchcraft!” but I’m
simply describing satellites and cell phones. Now, when I say it like that, it sounds
like I’m leaning more toward science, but I should add that there have been times
when my mother could sense that a family member was having some kind of
problem or illness, which turned out to be true, and sometimes it was downright
uncanny! Or, maybe you’ve heard about the well-documented out-of-body
experience of Pam Reynolds, who nearly died in surgery in 1991. Like in many
near-death experiences, she said she looked down at her own body on the
operating table, surrounded by the medical team, but the fascinating part is, she
described several things that she couldn’t possibly have known unless her astral
experience was real!

Ever since I was a kid, I’ve read countless books on unexplained mysteries -- all
the supposedly documented stuff about ghosts, UFOs, the Bermuda Triangle,
spontaneous human combustion, the devil's footprints in Devon, the Bell Witch,
and so on. But what a lot of people don’t get is that I am fascinated in equal
measure by the stories themselves and in the mechanics of documentation. This
goes to my interest in meta-fiction, which includes devices of writing as part of
the story, like the poem and footnotes in Nabokov’s
Pale Fire, the books within
books of VanderMeer’s
City of Saints and Madmen, or the complete text of
Aylett's
Lint.

I sometimes find unintended humor in the way paranormal investigators use
some facts and omit others. Take the Bell Witch legend. There is a house in
Adams, Tennessee where in 1817 a man named John Bell and his family
experienced poltergeist activity. The word spread until even General Andrew
Jackson heard about it. This part is true. Jackson, his wife, and some friends
actually traveled by covered wagon to Adams, Tennessee to spend the night in
the Bell house. By all accounts, nobody got much sleep that night. People were
pinched and slapped in the dark, covers got pulled off of beds, weird noises
were heard. Andrew Jackson is widely quoted as saying, "I would rather fight the
British than to deal with the Bell Witch!" But what he actually said was, "I saw
nothing, but I heard enough to convince me that I would rather fight the British
than to deal with this torment they call the Bell Witch!" I tried, in Tamper, to
capture some of the humorous aspect of paranormal documentation. To convey
the fun of it.

Levi: Does the fictional town of Hansburg, Virginia correspond to a real place?
Can you talk about the places in this book and what they mean to you in real life?

Bill: Oh, for sure, I based Hansburg very much on the town in Virginia where I
was born and raised, called Christiansburg. It started as a settlement called
“Hans Meadow” in the 1700s. Later, they changed the name to Christiansburg. A
small, idyllic town like in the old television shows,
Leave It To Beaver or Andy
Griffith
or that Twilight Zone episode where Gig Young tries to revisit his
childhood. Seventy-five percent of everything in Tamper really happened, but of
course, I embellished parts of it. The treasure hunt, the layout of the streets, the
bag of bones, Main Street, the woods, racing sleds and bicycles downhill, are all
based in reality.

Besides the events in my hometown, some of the other stuff is based on real
experience too. For example, I really did sit on a beach under the night stars in
Spain, with some friends, looking out at the Rock of Gibralter, listening to
Four
Cornered Room
by the group WAR on a small, battery operated cassette tape
player, and it seemed almost transcendental at the time.

Levi: How do you plan to market and sell this novel? Do you enjoy being an
indie writer, and do you have advice for other indie writers?

Bill: I would prefer that a major publisher picked up my book and promoted it to
the masses. There is one thing I like about being an indie, which is the
realization that just because a book is supposedly finished, that doesn’t mean I
can’t go back and fix things. I learned by trial and error on my first two books,
and I used to stress out, thinking, "What if I release a book that’s not good
enough?" I either put the book out too soon and grieved over the errors, or
toiled endlessly for perfection. Partly, it was not being able to afford a second
edition with some of those high-priced, so-called self-publishing companies. So, I
founded Surtsey Publishing, and I use CreateSpace for print-on-demand, and it’
s no longer a problem. Obviously, I have to draw the line somewhere with
revisions. At some point, you have to let it go. I don’t foresee any revisions on
Tamper -- it’s nearly perfect. But I’m going to combine the short stories from my
first two books,
Time Adjusters and Space Savers, into one volume, re-release
them on Surtsey with some killer revisions! Anyone who has already purchased
one of those books will get a chance to buy the new edition at the greatly
reduced price, or maybe even get a free copy for a limited time. I haven’t worked
out the details yet. But anyone interested in reading Tamper need not worry --it’s
not going to change.

As for marketing, there’s been a lot of talk lately, mainly from Cory Doctorow,
about making books available online for free. Doctorow says that making his
books available free online has not hurt his book sales. I’m not quite that
adventurous yet, so I’m going to make the first three chapters of Tamper
available on the internet.

I’ve got two book signings lined up here in Jacksonville, Florida so far, where I’ll
read excerpts from the book and talk about it.

I plan to use blog ads to target the various types of readers who I believe the
novel will appeal to. These include, on one hand, the pulp science fiction fans
and the Forteans, folks who know that Richard Shaver was an actual writer for
Amazing Stories Magazine in the 1940s. People who like offbeat historical
fiction. My first draft had Richard Shaver as one of the central characters, in the
manner that James Morrow includes Ben Franklin as a character in his novel
The Last Witchfinder, but I wasn’t sure how far I should go, so I invented Olsen
Archer, a friend and colleague of Shaver, to fill out the plot. I also think Tamper
will appeal to those who enjoy dark psychological excursions into the locked
desk of Henry James, as well as enlightening psychological expositions from the
open lectern of his brother, William James. And books about the intersection of
mysticism and science, like
Deciphering the Cosmic Number by Arthur I. Miller
(thanks to Jessa Crispin for recommending that one on her blog).

Levi: Many blogs such as Largehearted Boy and Paper Cuts ask writers what
music they listened to while they wrote their latest books. Instead, I'd like to ask
you a better question: what foods did you eat while you wrote this book?

Bill: I fell in love with olive oil and feta cheese about three years ago. I went for
weeks at a time eating nothing but a big salad every day, with all kinds of fresh
vegetables, topped with olive oil, vinegar, and feta cheese, and later in the
evening, drinking many cups of black coffee, staying up all night. But from time
to time, maybe to compensate for the lack of booze, I went on binges in which I
ate big bowls of cereal with milk, bananas, raisins, peanut butter, and ice cream
piled on it. I seem to be one of those all-or-nothing people. I won’t even go into
the prescription drugs I eat.
Tamper Home Page
Levi Asher created Literary
Kicks, the longest-running
literary blog on the internet,
in 1994.  
Tamper at Amazon.com